top of page
  • soundcloud-xxl
  • Spotify
  • Black Facebook Icon
  • Black Youtube Icon
  • Black Instagram Icon
selda-guerssen_edited.jpg

Selda Bağcan Revisited. 

Liner notes for Selda's LP reissue - Guerssen/ Pharaway Sounds

"The re-issue of the first self-titled LP of Selda from 1976 comes out in a very opportune moment. It is not only because the original record is a rarity and an expensive gem. And it is not because the first re-issue from 2006 on Finder Keepers was a huge success. It is more of because it is the most optimal time since 1976 when we can understand the music and the artist in a better and more objective way. In 2020, 44 years after the first pressing of the album, we can revisit Selda Bağcan and listen to her fantastic album with new knowledge, non-colonial appreciation, and open-minded attitude."

renata-theattic.jpg

Renata Lewandowska - the Soul Voice of the 70s Polish music

Find out the story of one of the most exciting voices of the Polish music scene - Renata Lewandowska.

She started singing in 1964 and finished her music career in 1980. The end was sudden and irrevocable. Renata Lewandowska vanished without being recognized enough throughout her career. She left Poland at the beginning of the '80s, after facing difficulties with the album release, and left behind only one single pressed in a small number of copies in 1978 and known by very few Polish music experts and record diggers.

gazino-poster-huri.jpg

Turkish Ladies. Female Singers from Turkey 1974 - 1988. Liner notes

"The story of female popular music from Turkey can be told in many ways and deserves to be explored. This particular narration about Turkish female singers is told through songs recorded in 1970s and 1980s. Those two decades present diverse soundscape of Turkish music in various genres and styles, driven by local and global cultural trends and recording technologies."

kamuranfairuz.jpg

My Baby and Me - Fairuz

and Kamuran Akkor

"Fairuz – the jewel of Beirut; Kamuran Akkor – the pearl of Istanbul. Their resemblance is striking. Their voices are not only similar in color and structure, with their deep and trembling sounds; they are also perfectly different and original in the way that only great voices can differ. "

khruangbin.jpg

Khruangbin - A Story of Houston

I had a pleasure to meet members of Khruangbin in Istanbul. On the occasion of our all day long digging adventure in the record stores of the city, i had a chance to talk to Mark Spencer and  Donald “DJ” Johnson. 

esmeray.jpg

Esmeray: the untold story

of an Afro-Turk music star

"The first song from Esmeray I ever heard was Garip Anam (My Poor Mother) a single from 1975. Beautiful and chic, she had a hairstyle reminiscent of The Supremes and she gazes hynoptically from the cover. 

An extremely deep and sorrowful voice, accompanied by a piano, double bass and percussion – Esmeray sounded like someone from another planet. I bought the record and left the tiny shop in Istanbul and its lonely seller with a question: just who is this girl?"

thenational.jpg

Turkish revivalism: remembering the

forgotten musical divas of the 60s and 70s

"I am interested in music that was once very important and reflected the spirit of the times but which is now just a shadow of the past. It can be heard on dusty records found in Turkey's old record shops. The scratched, sleeveless black gold that I collect very often looks like trash. Many of the artists have passed away or are very old. In most cases, they live but are long forgotten."

uzelli.jpg

Uzelli cassettes: bringing

the sounds of Turkey to

1970s and 1980s Germany

"In the 1960s, hundreds of thousands of Turkish people moved to Germany to help rebuild the country. Turkish workers, or gastarbeiters as they were called, made the journey after a recruitment drive by German authorities to fill the gap in the labour system. Turkish communities sprang up in towns and cities across the country, and soon there was a thriving market for goods, and especially music, from the homeland."

9Nov1989: A Testament to Collective Memory and Shared Humanity

9Nov1989 is a living testament to the power of collective memory and shared human experience. It is a project where history is not locked away in textbooks or frozen in monuments, but brought to life through stories, memories, and music. At its heart, 9Nov1989 invites people from around the world to share personal reflections on their lives around the pivotal years of 1989 and 1990—what the fall of the Berlin Wall meant to them, and how it shaped their own small, personal worlds.

The project embraces music as a powerful narrative tool—a soundtrack of memory. The songs we listened to at the time were more than just background noise; they were part of how we made sense of the world, how we expressed hope, fear, change, and belonging. They are not just melodies, but markers of personal and collective history.

Contrary to the neat timelines found in history books, real memory is rarely linear or precise. It is emotional, fragmented, unreliable, and deeply personal. The “big history” of revolutions and political change often exists in our minds as a backdrop to intimate moments: falling in love, saying goodbye to a relative, starting a new job, going on a holiday, or playing with friends. To truly capture the spirit of 1989, we must look beyond the headlines and into the everyday lives that unfolded before, during, and after that moment in time.

The fall of the Berlin Wall—and the broader collapse of communist regimes across Eastern Europe—was not just a political event. It was a cultural and emotional shift, a moment when millions were thrust into a new reality. Political freedom came hand in hand with uncertainty, hope was often tangled with fear, and national change played out in deeply personal ways.

9Nov1989 seeks to reflect this complexity. By focusing not only on the historic event itself but also on the years surrounding it, the project paints a fuller picture of an era marked by both transformation and continuity. It connects personal stories with global events, reminding us that history is made not only in parliaments and protests, but also in kitchens, classrooms, concert halls, and crowded city squares.

By keeping the memory of November 9, 1989 alive, the project challenges us to confront the walls that still divide us today—whether physical, political, social, or psychological. It invites us to reflect on themes of freedom, resistance, division, and reconciliation in ways that resonate with our own lives and times.

In doing so, 9Nov1989 reminds us that history is not just something we inherit—it’s something we carry, something we shape, and something we share.

Vita - Lucio Dalla and Gianni Morandi

I was 12, with just a few pirated cassettes and the radio as my only window to music. “Vita” by Lucio Dalla and Gianni Morandi (on my father’s fake “Dallamorandi” tape), and “Tell Me Now” by Pino Daniele (a copied cassette from a friend’s Schizzechea album). On the radio, it was RAF “Cosa resterà di questi anni ’80” and the anthem of that summer turning into a new decade: “Notti Magiche” by Edoardo Bennato and Gianna Nannini — celebrating with the Germans their World Cup victory on the Italian beaches, stolen from Maradona’s Argentina.

vita.jpg
heroes.jpg

Heroes - David Bovie

I was 14 and the sound of the Europe and fall of the wall for a Brazilian girl living so far away was Neneh Cherry - "Buffalo Stance", 
NENA - "99 Luftballons" the German version of course! and  The Cure - "Close to me" "Heroes" of Bowie of course!

Octopus‘s Garden - The Beatles 

When the wall fell in November 1989 I was on vacation with my family in the south of France and this was my favorite song that fall.

the beatels.jpg
Prinzen.jpg

Millionär - Prinzen

The band was a big part of my childhood. We listened to them a lot at home, and my memory of this song is vivid: It’s 1991, and we are taking our first trip to the West. My parents, aunts, uncles, and all the cousins drove to Brittany, France, for summer vacation — to see the Atlantic Ocean for the first time. This album was blasting in our cars, and we kids, as well as our parents, sang along loudly. The title means: I want to be a millionaire.

Love Shack - The B-52's 

So many Memories. Here are some tracks that come to my mind.

The B-52's : Love Shack
Soul II Soul : Back to life (However do you want me)
Prince The Future

The B-52.jpg
der erdbeermund .jpg

Der Erdbeermund - Culture Beat Featuring Jo Van Nelson

That is the sound of the time for me.

 Arahja - KULT

Fast, aggressive music and lyrics full of strong words - that is the soundtrack of the time.
Kult " Arahja " and "45 - 48" 

Dezerter " Spytaj policjanta "

Siekiera " Misiowie Puszyści "
Maanam " Nocny Patrol "

Brygada Kryzys " Centrala "
Oddział Zamknięty " Ten wasz świat "


80s/90s music from Poland is brilliant!

kult1.jpg
Tajči .jpg

Tajči - Hajde Da Ludujemo
 

I was four years old when Tajči represented Yugoslavia at the Eurovision Song Contest in 1990 in Zagreb with this song. I lived in Switzerland in a small village with a population of nearly 2,400. My family, who had migrated from Ex-Yugoslavia, was very conservative, filled with tragic stories and many worries. For me, Tajči represented the complete opposite: freedom and joy.

Wind of change - Scorpions

For this time during the „reunion“ I remember first of all „Wind of Change“ from Scorpions. I also remember lots of important DDR Punk Bands during this time and it’s rising right-wing extremism those who reflected that time in their songs:
#Herbst in Peking: Bakschischrepublik & Geisterbahn #Feeling B: Artig & Alles ist so schön bunt hier #Die Skeptiker: Dada in Berlin & Deutschland halt’s Maul #Schleim-Keim: In der Kneipe zur trockenen Kehle. Last but not least: Wolf Biermann. 

scorpions.jpg
Fight da faida .jpg

Fight da faida - Frankie hi-nrg mc

This song is part of my youth (1990), especially in the squats of Bologna (though not only there), where underground culture flourished. The artists' commitment to political issues, which characterized this crucial period in European history - marked by the fall of the Berlin Wall - was predominant in all forms of expression, especially music.

Dönence - Barış Manço

Europe had its Wind of Change by Scorpions, we had Dönence Song by Barış Manço. The lyrics brought a metaphoric description of the transformation of the world order. "Somewhere far away the sun is rising" - Uzaklarda bir yerlerde güneşler doğuyor!

baris.jpg

Berlin - Dagmara

Here a clip of a song with the title BERLIN, from 1989 (just before the Wall) It is the first one that came in my mind... Realized in France few months before November. My husband was working as music publisher was producing it. Dagmar was sleeping on a sofa at home)

 

https://www.ina.fr/ina-eclaire-actu/video/i07241530/dagmar-berlin

 

My father, Bernard Heidsieck, a poet, was invited for a reading in East-Berlin in the beginning of November 89. Invited me to come. I was journalist and I traveled during the eighties mostly in the eastern part of Europe. Arriving in Berlin for the fall of the Wall has been the gift for a lifetime. I lived the event during a week. Still have on a wall a banner with written : FORWÄRTS GENOSSEN, DIE AVANT_GARDE IST HINTER EUCH HER

dagmar.jpg
bottom of page